The notion, or fantasy, that childhood is a state of innocence in the life of a human being already belongs to the bygone history of ideas. The child´s imagination and ability to combine received impressions can sometimes scare us with its perversity, fascinate us with its clarity or surprise us with its precision. Incoherency is amusing for us adults.

It springs to mind that children constitute the most fragile but at the same time most apparently privileged social class today. Having free time on one´s hands can represent, for childhood, the highest challenge. Because childhood divides time into free time and obligations. What has to be done is decided by the adults, and all the rest is devoted to play.

Indeed, Play-use contrasted the idea of functionality – resolving a practical problem with the minimum expenditure of energy – and the idea of play, an activity, which has no other objective than the activity itself and the pleasure to which it gives rise. The past century enshrined human efficiency as a duty: functionality, taking profit in the least time possible. In parallel we can speak of a hyper-aestheticized society, where everything tends towards beauty or seductiveness. But the construction of identity in childhood, the perception of the world surrounding the child, can also be considered as a battlefield where desire runs continually up against the lack of control over the environment, where human relations are not ergonomic and where industrial production does not follow the same logic as in the adult world. we hope will give the public a cultural context and entry point into Friedl's work.



London, Kensington Gardens, 2001


Johannesburg, Zoo Lake, 2001


Cape Town, Yusuf Drive, 2001


East London, Fitzpatrick Road, 2001


Reykjavík, Bergpórugata, 1999


Cap-Haïtien, Parc Vincent, 2000


Aarle-Rixtel, Lange Akker, 1999


Barahona, Avenida Enriquillo, 1999


Paris, Bibliothèque Nationale, 1999


Minneapolis, Spruce Place, 2000


Marfa, 1999

 

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